People
Maarten Gielen (°1984, Ninove) started his career at the age of 15, selling decorative items made from objects found at scrap merchants and flea markets to fashion stores and florists. Arriving in Brussels in 2002, he set up BSF to offer technical assistance using salvaged materials to small cultural organisations. Two years later, the association merged with the organisations of Zinneke Parade, where Maarten set up a programme for the reuse of industrial waste. In 2005, he established Rotor where he works as designer, manager and researcher.
Tristan Boniver (°1976, Brussels) studied architecture in Brussels at the Saint-Luc Institute, the Sint-Lucas School of Architecture and La Cambre School of Architecture (ISACF). Throughout his studies, he worked as a graphic designer, consultant, and developer, both for private clients and associations and on projects in the underground electronic music scene in Brussels. A member of the Brussels collective Boups since 1999, he then worked with Maarten Gielen to set up Rotor, which he has been a member of since 2005. He qualified as an architect in January 2010, after presenting a dissertation on rounded corners.
Lionel Devlieger (°1972, Rwamagana) trained as an architect and engineer in Ghent and Rome, writing his doctoral thesis in 2005 on the theory of 16th-century Florentine architecture. Between 2006 and 2008, he worked as a freelance entrepreneur. He now divides his time between Rotor, of which he has been a member since 2006, and the architecture and urban planning department at the University of Ghent, where he is a visiting professor on the material studies course. Lionel has written about architecture and art theory for a number of publications, including Monumenten en Landschappen, Archis, De Witte Raaf, Aìon, Bulletin de la Classe des Beaux-Arts – Royal Academy of Belgium, Jaarboek Architectuur in Vlaanderen and Criticat.
Michael Ghyoot (°1986, Brussels) is an architect who graduated from La Cambre School of Architecture (ISACF) in 2009. He has been actively involved in Rotor’s projects since becoming a member in 2008. While a student, he was involved in hortence (a history, theory and criticism laboratory satellite project), helping organise a symposium and several conferences on what was happening in architecture in the 1970s. He also helped launch the journal Cahiers d’hortence, for which he has written several articles. From 2008 to 2009, he curated a series of conferences on the notion of cracks at Recyclart for the Brussels Institute of Architecture (IBAI). Michael has worked a great deal as a professional climber, and has enjoyed success in national competitions.
Benjamin Lasserre (°1985, Lille) began his career at the age of 5 in the role of Cléante in Molière’s “The Imaginary Invalid”. He moved to Brussels in 2002 to study stage design at the Saint Luc Institute. During an internship at La Raffinerie (Charleroi/Danses) in 2005, he came across the company Joji Inc, where he worked for 3 years as technical director and assistant to Jim Clayburgh. Among other shows, he was involved in Erase-e(x), Walking On Rocks and Lolita. He also worked with the video artist Kurt D’Haeseleer on Ô’Parleur and developed a project using Lumalive technology with Philips and Swarovski. In 2009, he took part in the KFDA09 project and subsequently became a member of Rotor.
Melanie Tamm (°1974, West Berlin) grew up in the post-industrial Ruhr region. Thanks to the German university system, she was able to switch back and forth in her studies between architecture and social sciences, which led her to explore heritage, redevelopment and research on structures with an emphasis on the post-war period. She gradually relocated to Brussels, finally settling in the city in 2003 after graduating. She works as an architect, specialising in the execution and building phase. She met Maarten Gielen through BSF in 2004 during preparations for the PleinOpenAir festival at the State Administrative Centre, but it was not until 2008 that she joined Rotor on a part-time basis.
